( IMDB). With an emphasis on narrative and visual strategy, Hitchcock controls the escalating tension with a master's flair for cinematic design, and the plot (coscripted by Raymond Chandler) is so tightly constructed that you'll be white-knuckled even after multiple viewings. He makes an Rowland V. Lee Ranch - Fallbrook Avenue, Canoga Park, Los Angeles, California, USA. --Jeff Shannon, Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.Learn more how customers reviews work on Amazon, [{"displayPrice":"$8.99","priceAmount":8.99,"currencySymbol":"$","integerValue":"8","decimalSeparator":".","fractionalValue":"99","symbolPosition":"left","hasSpace":false,"showFractionalPartIfEmpty":true,"offerListingId":"ljxr4RXVFhT%2BPKRvZQtlYfMQPNkFvRWItSCJh6gvH8GODWGblG4sOglXU76ALdS03DRPExbb%2FgT4ZclL52JN1JP63V80l0djKnnQ%2FjE7RB2b7X5Iga6UtCyo5UN0UwFtFdwFKEiMfxcgxAttav%2FH4txtYXoihOdmJf71qTDZgulgppJc7UoNeUIOV4CKcI3Q","locale":"en-US","buyingOptionType":"USED"}]. He found exactly what he needed right on the Warners lot in the person of staff cameraman Robert Burks, who would continue to work with Hitchcock, shooting every Hitchcock picture through to Marnie (1964), with the exception of Psycho. Guy takes this as a joke, but Bruno is serious and takes things into his own hands. [69] A two-disc DVD edition was released in 2004 containing both versions of the film, this time with the "British" version titled "Preview Version" (102:49 long) and the "Hollywood" version titled "Final Release Version" (100:40 long). [9] The amusement park exteriors were shot there and at an actual Tunnel of Love at a fairground in Canoga Park, California. There are several differences in the British version of the film, including: One would have expected Hitchcock's return to major studio filmmaking to err on the side of chastened caution. It proceeds, as Hitchcock's films [19] Hitchcock preferred the writing credit of Whitfield Cook and Czenzi Ormonde, but Warner Bros. wanted the cachet of the Chandler name and insisted it stay on. Unfortunately, that was about it. A recently found longer prerelease British print (Side B) offers "a startling amplification of Bruno's flamboyance, his homoerotic attraction to Guy and his psychotic personality," according to Bill Desowitz of Film Comment. Hitchcock wanted the phone in the foreground to dominate the shot, emphasizing the importance of the call, but the limited depth-of-field of contemporary motion picture lenses made it difficult to get both phone and women in focus. So much occurs in pairs. Sir. Synopsis. Barbara Morton: From what I hear she pursued it in all directions. "When Bruno openly suggests he would like to kill his wife, he merely grins and says 'That's a morbid thought,' but we sense the tension that underlies it. Bruno wants to kill his father, but knows he will be caught because he has a motive. A film of noir moments galore. He Have watched this movie at least twice previously but it had been many years since I last saw it. While he had previous Hitchcock experience on Shadow of a Doubt (1943), and would go on to score two more consecutive Hitchcock films, the director and composer "simply never developed much of a kinship"[8] and "the Hitchcock films are not Tiomkin's best". Granger stunt man could have been killed; Hitchcock said he would never take such a blurting out what everyone is afraid to say. [44] Hitchcock made personal appearances in most of them, and was often accompanied by his daughter. Hitchcock had a crew shoot background footage of the 1950 Davis Cup finals held August 2527, 1950 at the West Side Tennis Club in Forest Hills, New York. Granger is excellent as the harassed young man innocently involved in murder. [9], Kasey Rogers (credited as Laura Elliott) noted that she had perfect vision at the time the movie was made, but Hitchcock insisted she wear the character's thick eyeglasses, even in long shots when regular glass lenses would have been undetectable. wants dead. Patricia Hitchcock and Kasey Rogers look a little alike and wear very That was my favorite part of the movie. After appearances in his 2 best British films, "The 39 Steps" (1935) and "The Lady Vanishes" (1938) , the train was elevated to star billing along with the 2 male leads in "Strangers on a Train" (1951).Not only does the train move its passengers around, it is the location where one's diabolical "you do my murder, I"ll do yours" plot is hatched and used to seduce the other. [12][15] Chandler took the job despite his opinion that it was "a silly little story. A carnival worker crawls underneath it and applies the brakes too abruptly, causing the carousel to spin off its support, trapping the mortally injured Bruno underneath. It was Hitchcock, not Tiomkin, whose idea brought the four evocative numbers[8] "The Band Played On", "Carolina in the Morning", "Oh, You Beautiful Doll", and "Baby Face" to the soundtrack: In one of Hitchcock's most explicit operatic gestures, the characters at the fateful carnival sing the score, giving it full dimension as part of the drama. And since it is Guy's foot that taps Bruno's under the table, we know Bruno has not engineered the meeting. I love Hitchcock but hadn't ever watched this one until the other day, and I was pleasantly surprised in some ways but mostly very disappointed. Ebert wrote: Hitchcock was a classical technician in terms of controlling his visuals, and his use of screen space underlined the tension in ways the audience isn't always aware of. Add on for my new cinema room setup. Robert Walker is uncanny. "[29], Hitchcock was, above all, the master of great visual setpieces,[32] and "[p]erhaps the most memorable sequence in Strangers on a Train is the climactic fight on a berserk carousel. Especially with Bruno, who held the movie together as he did the book." "[13] In the novel, Guy is pursued and entrapped by a tenacious detective.[17]. "[17] This would be their last collaboration. He has no patience with mediocrity on the set or at a dinner table. is crucial. Robert Walker is fabulous as the twisted Bruno. villains, and Hitch agreed with Truffaut that the audience sympathy was more (original music by) Cinematography by Robert Burks . Aboard a train bound for New York, Guy, the tennis pro, is shocked to discover how much information the wealthy stranger, Bruno, knows about him. Together the three women, working under the boss's guidance and late into most nights,[17] finished enough of the script in time to send the company East. First Hitchcock got the exterior shots in Canoga Park, using both actors, then later he had Elliott alone report to a soundstage where there was a large concave reflector set on the floor. No matter how well a football team plays, the match has a fixed temporality. [9] Hitchcock had already shot the long shots for the tennis match at Forest Hills and would add closer shots with Granger and Jack Cushingham, Granger's tennis coach off-screen and Guy's tennis opponent Fred Reynolds on-screen at a tennis club in South Gate, California. This ending, however, was not acceptable to Warner Bros.[28], In 1997, Warner released the film onto DVD as a double sided disc, with the "British" version on one side, and the "Hollywood" version on the reverse. I suspect the things we might see so plainly now - the homosexual longing in Bruno, the wicked contrast of the man of action and the man of ideas, the superficiality of Guy and the hungry depth . [14] Talks with Dashiell Hammett got further,[12] but here too communications ultimately broke down, and Hammett never took the assignment. with him than with Granger's playboy. "[44], The film includes a number of puns and visual metaphors that demonstrate a running motif of crisscross, double-crossing, and crossing one's double. The unusual angle was a more complex proposition than it seems. Then a police car pulls up The kid Tennis star Guy (Farley Granger) hates his unfaithful wife. "[50], Bruno tells Guy early on that he admires him: "I certainly admire people who do things", he says. [7] The director found her "bristling" and "lacking in sex appeal" and said that she had been "foisted upon him. [6] In 2012, The Guardian praised the film writing "Hitchcock's study of the guilt that taints the human condition is just one cinematic masterstroke after another". "perfect crime" in which he would murder Guy's wife, Guy would murder is softer and more elusive, more convincing as he tries to slip out of Bruno's [21] The scripting team added the tennis match and the crosscutting with Bruno's storm drain travails in Metcalf added the cigarette lighter, the Tunnel of Love, Miriam's eyeglasses; in fact, the amusement park is only a brief setting in the novel.[21]. Buy it! Another great shot shows Bruno's face in the shadow of his hat brim, "[4] Blurring the lines puts both Guy and Bruno on a good-evil continuum, and the infinite shades of gray in between, became Hitchcock's canvas for telling the story and painting his characters. Barbara tells Anne that Bruno was looking at her while strangling the other woman, and Anne realizes Barbara's resemblance to Miriam. sexual tension -- that makes the movie intriguing and halfway plausible, and scene in the record store, writing something in a notebook. Addeddate 2021-02-10 15:58:01 After appearances in his 2 best British films, "The 39 Steps" (1935) and "The Lady Vanishes" (1938) , the train was elevated to star billing along with the 2 male leads in "Strangers on a Train" (1951).Not only does the train move its Alfred Hitchcock loved trains. [13] Treatment writer Cook used Guy to make the film "a parable quietly defiant of the Cold War hysteria sweeping America. Two strangers will "exchange murders," each killing the person the other similar eyeglasses; Bruno is playfully demonstrating strangling techniques at a So much occurs in pairs. man becomes the obvious suspect in the strangulation of his wife. Perhaps there will be those in the audience who will likewise be terrified by the villain's darkly menacing warnings and by Mr. Hitchcock's sleekly melodramatic tricks. either of the actors, Walker's Bruno has been called one of Hitchcock's best [70], Strangers on a Train was adapted for the radio program Lux Radio Theatre on two occasions: on December 3, 1951, with Ruth Roman, Frank Lovejoy, and Ray Milland, and on April 12, 1954, with Virginia Mayo, Dana Andrews, and Robert Cummings.[44]. Please help this article by looking for better, more reliable sources. party when he sees Barbara, flashes back to the murder, and flips out. Alfred Hitchcock's cameo appearance occurs 11 minutes into the film. "Me, I never do anything important." on a Train" is not a psychological study, however, but a first-rate This piece of film he then enlarged and projected onto a vast screen, positioning actors around and in front of it so that the effect is one of a mob of bystanders into which plaster horses and passengers are hurled in deadly chaos. This is a psychological thriller involves two young men who are strangers upon meeting each other on a train. Although Yet as Bruno describes his "theories" over lunch, "Guy responds to Bruno we see it in his face, at once amused and tense. "[I]n one of the most unexpected, most aesthetically justified moments in film,"[29] the slow, almost graceful, murder is shown as a reflection in the victim's eyeglasses, which have been jarred loose from her head and dropped to the ground. Variety praised it, writing: "Performance-wise, the cast comes through strongly. What is the streaming release date of Strangers on a Train (1951) in Canada? Hitchcock Then a grip put a normal-sized phone on the table, where she picked it up. Is he dishonest? director of photography He is seen carrying a double bass as he climbs onto a train. Strangers On a Train 14+ HD CC Thriller 1 Hour 40 Minutes 1951 4.1 43 Ratings Strange thing about this trip. "[47], Guy and Bruno are in some ways doubles, but in many more ways, they are opposites. He knows that Guy is about to divorce his wife, and that he is also in love with Anne, the daughter of a US Senator. bargain. Robert Walker is fabulous as the twisted Bruno. Reviewed in the United States on June 2, 2022. The psychopath suggests that because they each want to "get rid" of someone, they should "exchange" murders, and that way neither will be caught. has even been reported in the movie's lore (all the attention goes to The premise is fascinating because it was far more intricate than I had been led to believe. is this sense of two flawed characters -- one evil, one weak, with an unstated Is he dishonest? inspiration of a very large dog to distract the audience from what he would Strangers on a Train is a 1951 American psychological thriller film noir produced and directed by Alfred Hitchcock, and based on the 1950 novel Strangers on a Train by Patricia Highsmith. But Hitchcock takes music to another level. This includes lots of great home movies; Alfred Hitchcock's Historical Meeting (SD; 1:08) is a weird little snippet without sound that shows Hitch interacting with actors made up as historical characters. This is the so-called "British" version of the film (which was included on the "flipper" DVD a few years ago) which runs about two minutes longer than the final cut and has some alternate takes. Please use a different way to share. the wall make it appear Bruno has overtaken them. "He had to have one person in each film he could harass," Granger said. Enhancements you chose aren't available for this seller. Hitchcock insists on perfection. Patricia, as the outspoken young Barbara Morton, kid sister of Guy's fiance While there, the crew had done some other location scouting. It looks like WhatsApp is not installed on your phone. Anne visits Bruno's home and tries explaining to his befuddled mother that her son is a murderer. The and Bruno struggle as a carnival worker crawls on his stomach under the He's endearing and menacing, intimate and unknowable. [33], The explosion is triggered by the attempts of a carnival man to stop the ride after crawling under the whirling carousel deck to get to the controls in the center. [28] Anne reaches for the big phone, but actually answers a regular one: "I did that on one take", Hitchcock explained, "by moving in on Anne so that the big phone went out of the frame as she reached for it. Certainly the casting of Farley Granger as Guy and Robert Walker as Bruno The emotionally-imblanced and immature Bruno expresses his feelings and Guy his problems in a chit chat. "[12] Chandler also felt that the original novel's plot was superior to Hitchcock's version, and argued that it should be restored. On Rotten Tomatoes the film has an approval rating of 98% based on reviews from 52 critics, with an average rating of 8.80/10. [41] He was also photographed adding the letter L to Strangers on the official studio poster for the film,[26] thus changing the word to Stranglers. Warner Bros financial information in The William Shaefer Ledger. Mysterious Bruno (Robert Walker) hates his father. The 1987 film Throw Momma from the Train by Danny DeVito was inspired by Strangers on a Train, which is also watched by DeVito's character in the film.[71][72]. It is one of the moments in Hitchcock's work that continues to bring gasps from every audience and applause from cinema students. The director told Ormonde to forget all about the book, then told her the story of the film himself, from beginning to end. Hecht suggested his assistant, Czenzi Ormonde, to write the screenplay. Having given his characters overlapping qualities of good and evil, Hitchcock then rendered them on the screen according to a very strict template, with which he stuck to a remarkable degree. He got a treatment that pleased him on the second attempt, from writer Whitfield Cook, who wove a homoerotic subtext into the story. Bruno dreams up a crazy scheme whereby he and Guy exchange murders. conversation -- which ends on an ambiguous note, with Bruno trying to get Guy The film's opening conversation scene on the train is like a tennis match in which Guy serves up one weak lob after another for Bruno to put sway. Bruno orders with gusto and with an interest in what he is going to eat lamb chops, French fries, and chocolate ice cream. Her suspicions aroused, Anne confronts Guy, who tells her the truth about Bruno's scheme. That carousel scene was not faked! Strangers on a Train . "[28], Principal photography wrapped just before Christmas, and Hitchcock and Alma left for a vacation in Santa Cruz,[26] then in late March 1951, on to St. Moritz, for a 25th anniversary European excursion. Strangers on a Train marked something of a renaissance for Hitchcock, after several years of low enthusiasm for his late-1940s output,[25] and he threw himself into the micromanagement of some of its production. Dreadful business. "You're a free man now", he says, just as a police car drives up, looking for the husband of a certain recent murder victim. # travel # wine # glass of wine # modern love # train travel. Closed-captioned, NTSC, Full Screen, Black & White. Guy creeps into Bruno's father's room to warn him of his son's murderous intentions, but instead finds Bruno there waiting for him. subtext. As Guy listens with detached amusement, Bruno discusses the theory of \"exchange murders.\" Suppose that Bruno were to murder Guy's wife, and Guy in exchange were to kill Bruno's father? On this Wikipedia the language links are at the top of the page across from the article title. "[8], Hitchcock took a toy carousel and photographed it blown up by a small charge of explosives. Brilliant. The abiding terror in Alfred Hitchcock's life was that he would "Vertigo," "Notorious," "Psycho" and perhaps Then Although Hitchcock It is those flaws that set up the real themes of Strangers. Hitchcock's trademark cameo) but you can look for yourself, in chapter six of Actually, it's doubly fascinating. upstairs in the dark in Bruno's house, Hitchcock told Truffaut, he hit on the [12], Securing the rights to the novel was the least of the hurdles Hitchcock would have to vault to get the property from printed page to screen. One of my top 50 movies, never seen on a big screen. The A tennis player, Guy HAINES, is about to finalize the divorce between him and his promiscuous wife. DVD Features:Interactive MenusNewsreel:Hitchcock newsreel footageProduction NotesScene AccessTheatrical Trailer:Five trailers of Hitchcock movies, From its cleverly choreographed opening sequence to its heart-stopping climax on a rampant carousel, this 1951 Hitchcock classic readily earns its reputation as one of the director's finest examples of timeless cinematic suspense. The website's consensus reads, "A provocative premise and inventive set design lights the way for Hitchcock diabolically entertaining masterpiece. One is tennis star Guy Hianes (Farley Granger) who is in the process of divorcing his unfaithful wife and the other is Bruno Antony, (Robert Walker) the psychopath son of a wealthy man who hates. Cast & Crew Read More Alfred Hitchcock Director Farley Granger Guy Haines Mr. Granger appears by arrangement with Samuel Goldwyn Ruth Roman Anne Morton Robert Walker space underlined the tension in ways the audience is not always aware of. Robert Walker performance benefits from a subtle tense urgency that perhaps [7] For six days, they shot at Penn Station in New York City, at the railroad station at Danbury, Connecticutwhich became Guy's hometown Metcalfand in spots around Washington, D.C.[7]. station with a note asking the sergeant to lock him up until called for. The story concerns two strangers who meet on a train, a young tennis player and a charming psychopath. One day, he meets a stranger named Bruno on a train going back home. 1996-2023, Amazon.com, Inc. or its affiliates, No Import Fees Deposit & $10.33 Shipping to France. This is a psychological thriller involves two young men who are strangers upon meeting each other on a train. While Hitchcock strips out much of the textured sociopathy of Bruno's machinations, Hitchcocks preserves the ripely perverse relationship and its intimacy and murderous expression. In a conventional movie, the tune would play in the background as a clever ironic backdrop. To think she may have As usual, Hitchcock kept his name out of the negotiations to keep the purchase price low. Hitchcock also cast Granger in "Rope" (1948), based on the Guy Haines (Granger), an amateur tennis star, chances to meet the eccentric Bruno Anthony (Walker) on a train. One gets the feeling of a closeted homosexual constantly coming onto Guy. Guy wants a divorce from his cheating wife, Miriam (Kasey Rogers), in order to marry Anne Morton (Ruth Roman), the daughter of a U.S. senator. Reviewed in the United Kingdom on July 30, 2017, Reviewed in the United Kingdom on January 26, 2016. (SD; 7:22) focuses on Kasey Rogers, who performed under the name Laura Elliot in the film; Strangers on a Train: An Appreciation by M. Night Shyamalan (SD; 12:46) has the director espousing his love for Hitch and the film; The Hitchcocks on Hitch (SD; 11:20) features Hitch's daughter and granddaughter talking about Hitch. Now look at how Alfred Hitchcock reinforces the duality of human nature. movie is usually ranked among Hitchcock's best (I would put it below only [48], Roger Ebert wrote that "it is this sense of two flawed characters one evil, one weak, with an unstated sexual tension that makes the movie intriguing and halfway plausible, and explains how Bruno could come so close to carrying out his plan."[4]. [17] Although Ormonde was without a formal screen credit, she did have two things in her favor: her recently published collection of short stories, Laughter From Downstairs, was attracting good notices from critics, and she was "a fair-haired beauty with long shimmering hair. Guy, then, in a sense connives at the murder of his wife, and the enigmatic link between him and Bruno becomes clear.[51]. Hitchcock and his cast and crew decamped for the East Coast on October 17, 1950. in his childhood, when his father sent naughty little Alfred to the police It's worth noticing that "Strangers Disc1 contains the movie in a good looking & sounding print Review of 2 Disc 2004 Warner Bros edition(with orange & white cover)- As this well known film(from 1951) is equally well analysed & described In many other reviews I'll just give an overview of what's on the discs. Anne. [8], Nevertheless, the score does pick up on the ubiquitous theme of doubles often contrasting doubles right from the opening title sequence: "The first shot two sets of male shoes, loud versus conservative, moving toward a train carries a gruff bass motif set against Gershwin-like riffs, a two-part medley called "Strangers" and "Walking" that is never heard again. Bruno proposes, "I'll kill yours, you kill mine." That evening, Bruno follows Miriam to an amusement park and strangles her while Guy is on the train to Washington. This audiobook version of the classic Hitchcock film is an excellent hour of suspense, tension - and murder! "[53], Hitchcock continues the interplay of light and dark throughout the film: Guy's bright, light tennis attire, versus "the gothic gloominess of [Bruno's] Arlington mansion";[46] the crosscutting between his game in the sunshine at Forest Hills while Bruno's arm stretches into the dark and debris of the storm drain trying to fish out the cigarette lighter;[54] even a single image where "Walker is photographed in one visually stunning shot as a malignant stain on the purity of the white-marble Jefferson Memorial, as a blot on the order of things. Hitchcock allegedly wanted William Holden for the role of Guy at a carnival; Miriam and two boyfriends are in the boat ahead, and shadows on Miriam informs Guy that she no longer wants to end their marriage. criminal.". Interesting premise but really poor pacing, Reviewed in the United States on January 5, 2023. Strangers On A Train, a masterpiece, presented here in a finely produced HD release. But that is precisely what they got: STRANGERS ON A TRAIN. How perfect for a playful proposal: I'll kill yours, you kill mine. A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder. The psychological game that Bruno plays on Guy is to force him to kill Bruno's over-bearing father. [13] With treatment in hand, Hitchcock shopped for a screenwriter; he wanted a "name" writer to lend some prestige to the screenplay, but was turned down by eight writers, including John Steinbeck and Thornton Wilder, all of whom thought the story too tawdry and were put off by Highsmith's first-timer status. At first glance, Guy represents the ordered life where people stick to rules, while Bruno comes from the world of chaos,[49] where they get thrown out of multiple colleges for drinking and gambling. His best performance and best casting. It was shot in the autumn of 1950 and released by Warner Bros. on June 30, 1951, starring Farley Granger, Ruth Roman, and Robert Walker. + a trailer. Hitchcock had written exacting specifications for an amusement park, which was constructed on the ranch of director Rowland Lee in Chatsworth, California. He always used the convention that the left side of the screen is for evil and/or weaker characters, while the right is for characters who are either good or temporarily dominant. face, and Guy stands to his right, outside the gate. Senator Morton: She was a human being. "[35], The final scene of the so-called American version of the film has Barbara and Anne Morton waiting for Guy to call on the telephone. [6] He added the film in his Great Movies list. [9] Granger described Hitchcock's attitude toward Roman as "disinterest" in the actress, and said he saw Hitchcock treat Edith Evanson the same way on the set of Rope (1948). Bruno follows Guy around Washington, introduces himself to Anne, and appears at a party at Senator Morton's house. temporarily dominant. It (This shot was famously unfaked, and the No Highsmith cameo + a very good 36 min documentary on the film ,a 7 min feature with 'murder victim' Laura Elliot, an 11 min 'Hitchcock family' feature and a 12min appreciation by director/fan M.Night Shyamalan- so all in all a good package of a film that's always worth another viewing,that's currently available at a good prices. For his part, Bruno, a rich and spoiled ne'er-do-well, chats amiably about his deep hatred of his father, and how he wishes someone would kill the old man. to agree to the plan, and Guy trying to jolly him along and get rid of him. Bruno is standing behind an iron gate, the bars casting symbolic shadows on his Guy nervously steps into the shadows with Bruno, literally behind the bars of an iron fence; "You've got me acting like I'm a criminal", he says. [46], Hitchcock carries the theme into his editing, crosscutting between Guy and Bruno with words and gestures: one asks the time and the other, miles away, looks at his watch; one says in anger "I could strangle her!" Unreliable citations may be challenged or deleted. revolving ride to get to the controls. In Hitchcock's cameo he carries a double bass. [42] Hitchcock and Patricia both were afraid of heights, and father offered daughter a hundred dollars to ride the Ferris wheel only to order the power cut, leaving her in the dark at the very top of the ride. The more you watch, the more you'll see. spotted Highsmith in a cameo in the film. The worker who called the police tells them that Bruno, not Guy, is the one he remembers seeing the night of the murder. pickup than a chance encounter. Hitchcock in Hitchcock's "Foreign Correspondent," where all the windmills Hitchcock said that correct casting saved him "a reel of storytelling time", since audiences would sense qualities in the actors that did not have to be spelled out. [10], Hitchcock secured the rights to the Patricia Highsmith novel for just $7,500 since it was her first novel. been haunting it all of these years. quite aware of Bruno's orientation, and indeed edited separate American and Dimitri Tiomkin's score, Robert Burke's cinematography, and Raymond Chandler's screenplay all add to this masterpiece. [22] The rest of the shooting would take place on Warner soundstages, including many seemingly exterior and on-location shots that were actually done inside in front of rear-projection screens. It Bruno agrees to kill Guy's unfaithful wife, in return for which Guy will (or so it seems) kill Bruno's spiteful father. Better still, the two-sided DVD edition of this enduring classic includes both the original version of the film and also the longer prerelease British print, which offers a more overt depiction of Bruno's flamboyant and dangerous personality, and his homoerotic attraction to Guy by way of his deviously indecent proposal. The police question Guy, but cannot confirm his alibi: a professor Guy met on the train was so drunk that he cannot remember their encounter. Leopold-Loeb case; it was another story about a murder pact with a homosexual There's [24] Exteriors would be shot on both coasts, and interiors on Warner Brothers' soundstages. He told the obscure writer that the famous one hadn't written a solitary line he intended to use, and they would have to start all over on page one, using Cook's treatment as a guide. Built on the cummins singapore email address, Animal Adventure Little Luxuries Premium 38 Jumbo Plush Dino. Great transfer, great black and white contrast. Highly recommended. Guy tries to persuade Bruno to seek psychiatric help, but Bruno threatens to punish Guy for breaking their deal. The first encounter between Bruno and Guy on the train is longer, and features a more obvious homoerotic flirtation by Bruno; In the scene where Guy sneaks out of his apartment to go to Bruno's house, a shot of him opening a drawer to get the map Bruno sketched is added; The very last scene in the US version, which involves a clergyman, was deleted. Between the two versions of the film, the "British" version most prominently omits the final scene on the train. But a men's three-set tennis match can be eleven hours or thirty minutes, depending on tiebreakers and whether it even goes to three sets at all. was above all the master of great visual set pieces, and there are several Alfred Hitchcock loved trains. It was shot in the autumn of 1950 and released by Warner Bros. on June 30, 1951, starring Farley Granger, Ruth Roman, and Robert Walker . See production, box office & company info. Talking about the structure of the film, Hitchcock said to Truffaut, "Isn't it a fascinating design? She initially praised it, writing: "I am pleased in general. said in Francois Truffaut's book-length interview that he didn't much like [40] It is a score that "goes largely uncelebrated."[40]. The only sadistic part was I never got the hundred dollars."[43]. was a lesbian whose novels have uncanny psychological depth; Andrew Wilson's After Guy arrives, he and Bruno fight on the park's carousel. A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder.A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder.A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder. meeting on the train, which was probably planned by Bruno, plays more like a Burks was an exceptionally apt choice for what would prove to be Hitchcock's most Germanic film in years: the compositions dense, the lighting almost surreal, the optical effects demanding. Talented Mr. Ripley," made into a 1999 movie in which her criminal hero With his new writer, he wanted to start from square one: At their first conference, Hitchcock made a show of pinching his nose, then holding up Chandler's draft with his thumb and forefinger and dropping it into a wastebasket. Theatrical Trailer (SD; 2:34). the DVD, 12 minutes and 16 seconds into the running time. Guy, on the other hand, shows little interest in eating the lunch, apparently having given it no advance thought, in contrast to Bruno, and he merely orders what seems his routine choice, a hamburger and coffee. "[48] And at this point the blurring of good and evil accelerates: Guy fails to repudiate Bruno's suggestive statement about murdering Miriam ("What's a life or two, Guy? Strangers on a Train Preview Version (SD; 1:42:57). Off-handedly, he suggests to Guy that they trade murders: Bruno will kill Guy's troublesome wife, and Guy will eliminate Bruno's despised father. [18], There was not much time though less than three weeks until location shooting was scheduled to start in the East. [46], This doubling has some precedent in the novel; but more of it was deliberately added by Hitchcock, "dictated in rapid and inspired profusion to Czenzi Ormonde and Barbara Keon during the last days of script preparation. place from Highsmith, whose novels have been unfairly shelved with crime "[62] Roger Ebert has called Strangers on a Train a "first-rate thriller" that he considers one of Hitchcock's five best films. Disc2 contains the (slightly longer) 'preview version' of the film,(not greatly different from the 'finished article' but still of interest). In the casting of Anne Morton, Jack L. Warner got what he wanted when he assigned Ruth Roman to the project, over Hitchcock's objections. Bruno does murder Guy's wife, and then demands that Guy keep his half of the Strangers on a Train (1951) Full Cast & Crew See agents for this cast & crew on IMDbPro Directed by Alfred Hitchcock Writing Credits Cast (in credits order) verified as complete Produced by Alfred Hitchcock . The premise is fascinating because it was far more intricate than I had been led to believe. BBC Radio 4's Afternoon Play broadcast on 29 September 2011 was Strangers on a Film by Stephen Wyatt, which gives an imagined account of a series of meetings between Hitchcock (Clive Swift) and Raymond Chandler (Patrick Stewart), as they unsuccessfully attempt to create the screenplay for Strangers on a Train. Beyond all the historical footnotes and film-buff fascination, Strangers on a Train remains one of Hitchcock's crowning achievements and a suspenseful classic that never loses its capacity to thrill and delight. His vigorous tennis match is a highlight of Strangers on a Train. Behind the Story contains these featurettes: Strangers on a Train: A Hitchcock Classic (SD; 36:44) is a nice overview with Peter Bogdanovich and several others discussing the importance of the film in the Hitchcock canon; Strangers on a Train: The Victim's P.O.V. Man on a train is about evil and destiny hiding behind the corner, about life changing in a bit because threat is waiting for us, and it's a fantastic example of great storytelling developing a simple yet effective subject: two men meets on a train, and one word too many could change everything. 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